Reading and Answer the Question

Living with art According to some insinuations from “living with art,” there are a number of ways through which people are affected by art. For this reason, there is a possibility of indicating that art is everywhere. My experience with art mainly reflects on the aesthetic experiences that are necessary to provide an understanding of some of the human activities that are universal. Art develops pleasurable experiences, which is necessary for developing a culture that appreciates the natural world. Artistic experiences develop my ability to create artistic images from other provisions that might not be artistic in the first place, which develop a deeper understanding of the natural world.
It is quite difficult for quite a number of people to identify artistic works. For instance, the article, “living with art” the author indicates that visitors into the Vietnam Veterans Memorial are initially unaware of small details about the artistic nature of the memorial, like the “…low wall at their feet” (Gracyk, 118). Through the inability of recognizing small details, there is a possibility of insinuating that they are not in a position to explore the characteristics of some pieces of art. My perception about art differs from the majority since I take recognition of the fact that art is essentially part of the human nature, and for this reason, exploring some of the detailed characteristics of artistic pieces. Through this, there is a possibility of having a better understanding of the natural world.
The author uses the term “outsider art” to describe the creativity of artists that are self-taught, which are pieces that originate from people that are aware of their physical world (Hofstadter and Kuhns, 39). According to experiences by Maya Lin, her artistic ability emanated from her desire to make people aware of the natural world. These types of art have a common expression of the classical art history, which develop a unique artistic culture among a number of people. It is possible to see pure creativity to the human impulses that are manifested in people without crippling some of the effects of formal training.
There is a possibility that the artistic world is a reflection of the natural world. Through this provision, one might argue that appreciation of art emanates from the aesthetic appeal that it provides. However, the entire purpose of art should not necessarily be beautiful since works of art depends on the message that the artist is seeking to instill to the viewers. On the other hand, the consideration of beauty in art is relative since what one individual might consider as beautiful might not be a shared sentiment with another. Beauty is a consideration that is inherent in the thinking of an individual, which might not be the same.
Including a concept, painting, a website, a computer program and a sculpture among other things is a perception of an artistic heritage of an individual. For this reason, there is a possibility of arguing that techniques that artists use in the representation of the observable world point to a particular artistic heritage. The representations draw different meanings for people, which might be a way of recognizing the natural world. Representations of works of art depend on the possibility of liberation that an artist represents, which is a creation of visual records for some people who might want to study the pieces of art.
Works cited
Gracyk, Theodore. The Philosophy of Art: An Introduction. Cambridge, UK: Polity Press, 2012. Print.
Hofstadter, Albert, and Kuhns, Richard. Philosophies of art and beauty: Selected readings in aesthetics from Plato to Heidegger. University of Chicago Press, 2009. Print.